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Exotic Cinema : Encounters with Cultural Difference in Contemporary Transnational Film
A critical reassessment of the aesthetic strategies and cultural value of exoticism in contemporary transnational cinemasOffers an original, critical reappraisal of decentred exoticism in contemporary transnational and world cinemaIncludes eighteen case studies that are embedded in rich contextual detail and discussions of thematically similar filmsBrings exoticism into dialogue with cognate frameworks that conceptualise cross-cultural encounters, including primitivism, Orientalism, cultural translation, cultural appropriation, cosmopolitanism and autoethnography, thereby shifting the terms of the debate into a direction that opens new lines of inquiryAnalyses examples of global art, Indigenous and popular mainstream cinema from East Asia, India, South America, Canada, Australia, Europe and the USComes with a companion website: www.exotic-cinema.orgExotic Cinema is the first systematic analysis of decentred exoticism in contemporary transnational and world cinema.By critically examining regimes of visuality such as the imperial, the ethnographic and the exotic gaze, which have colonised our minds and ways of looking, Daniela Berghahn makes an important contribution to the urgent agenda of decolonising film studies. Berghahn demonstrates that decentred exoticism's aesthetic versatility and alluring alterity are uniquely relevant for understanding the transnational appeal of world cinema.She addresses prevalent controversies surrounding exoticism and illustrates that, in contemporary world cinema, it is utilised to draw attention to new ethical and socio-political goals.Global in scope and transnational in perspective, Exotic Cinema invites students and researchers to reassess this prominent mode of cultural representation.
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Cultural Olympians : Rugby School's Cultural Leaders
This book is designed to explore key questions surrounding faith, philosophy, science, culture and social progress by celebrating the life and thought of cultural leaders from Rugby School (estd. 1567). Some of the most distinguished historians, philosophers, social commentators and religious commentators are alumni of Rugby School.In this collection of essays, contributors explore the most important values that guide and challenge us today, by reflecting on the achievements of these cultural heavyweights. This collection is edited by Patrick Derham, the current Headmaster of Rugby School.Contributors include:John WitheridgeJohn ClarkeAnthony KennyDavid UrquhartRobin le PoidevinA.N.WilsonAndrew VincentA.C. GraylingJay Winter,Ian HeskethDavid BoucherRowan WilliamPatrick DerhamJohn Taylor
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Zombies: A Cultural History : A Cultural History
Zombies: A Cultural History, now available in paperback, sifts materials from anthropology, folklore, travel writing, colonial histories, long-forgotten pulp literature, B-movies, medical history and cultural theory to give a definitive short introduction to the zombie, exploring the manifold meanings of this compelling, slow-moving yet relentless monster.
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Cultural Humility
This accessible and compelling Special Report introduces cultural humility, a lifelong practice that can guide library workers in their day-to-day interactions by helping them recognize and address structural inequities in library services. Cultural humility is emerging as a preferred approach to diversity, equity, and inclusion (DEI) efforts within librarianship.At a time when library workers are critically examining their professional practices, cultural humility offers a potentially transformative framework of compassionate accountability; it asks us to recognize the limits to our knowledge, reckon with our ongoing fallibility, educate ourselves about the power imbalances in our organizations, and commit to making change.This Special Report introduces the concept and outlines its core tenets.As relevant to those currently studying librarianship as it is to long-time professionals, and applicable across multiple settings including archives and museums, from this book readers will learn why cultural humility offers an ideal approach for navigating the spontaneous interpersonal interactions in libraries, whether between patrons and staff or amongst staff members themselves;understand how it intersects with cultural competence models and critical race theory;see the ways in which cultural humility’s awareness of and commitment to challenging inequitable structures of power can act as a powerful catalyst for community engagement;come to recognize how a culturally humble approach supports DEI work by acknowledging the need for mindfulness in day-to-day interactions;reflect upon cultural humility’s limitations and the criticisms that some have leveled against it; andtake away concrete tools for undertaking and continuing such work with patience and hope.
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Cultural Burning
This Element addresses a burning question – how can archaeologists best identify and interpret cultural burning, the controlled use of fire by people to shape and curate their physical and social landscapes?This Element describes what cultural burning is and presents current methods by which it can be identified in historical and archaeological records, applying internationally relevant methods to Australian landscapes.It clarifies how the transdisciplinary study of cultural burning by Quaternary scientists, historians, archaeologists and Indigenous community members is informing interpretations of cultural practices, ecological change, land use and the making of place.This title is also available as Open Access on Cambridge Core.
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Cultural Selection
Humans learn in ways that are influenced by others.As a result, cultural items of many types are elaborated over time in ways that build on the achievements of previous generations.Culture therefore shows a pattern of descent with modification reminiscent of Darwinian evolution.This raises the question of whether cultural selection-a mechanism akin to natural selection, albeit working when learned items are passed from demonstrators to observers-can explain how various practices are refined over time.This Element argues that cultural selection is not necessary for the explanation of cultural adaptation; it shows how to build hybrid explanations that draw on aspects of cultural selection and cultural attraction theory; it shows how cultural reproduction makes problems for highly formalised approaches to cultural selection; and it uses a case-study to demonstrate the importance of human agency for cumulative cultural adaptation.
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Cultural Sniping
Jo Spence was one of Britain's pioneering photographers.This book is the first to reflect her unique contribution to photography and photographic theory.
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Cultural Economics
The cultural industries and their products and services make a significant contribution to the global economy and are seen as strategic sectors for sustainable economic growth.However, industries such as art, design, film, music, performing arts, publishing, television and radio, present particular challenges for economic analysis.They can be goods or services that are both public and private, protected by copyright and freely available, consumed and created, as well as susceptible to fashion and technological development. In this fascinating introduction to the cultural economy, Christiane Hellmanzik examines the market for creative work and reveals the economic relationships between human creativity, intellectual property and technology.Through the careful use of case studies, the book explores the core economic considerations such as supply and demand, competition and pricing, alongside macro trends such as globalization, digitalization and the internet, which are changing the industry’s business models.
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